December 12, 2007

Vefa Kilise Mosque

The Mosque (right) and the exonarthex (left) viewed from the south
The Mosque (right) and the exonarthex (left) viewed from the south

Vefa Kilise Mosque (Turkish: Vefa Kilise Camii, meaning "the church mosque of Vefa", to distinguish it from the other kilise camiler of Istanbul: also known as Molla Gürani Camii after the name of his founder) is a former Eastern Orthodox church converted into a mosque by the Ottomans. The church was possibly dedicated to Hagios Theodoros (St. Theodore)[1] (Greek: Eκκλησία του Αγίου Θεοδόρου), but this dedication is far from certain.[2] The complex represents one of the most important examples of Comnenian and Palaiologan architecture of Constantinople.[3]

Location

The building lies in Istanbul, in the district of Fatih, in the neighborhood of Vefa, less than one kilometer to the northwest of the other great Byzantine building in Vefa (the mosque of Kalenderhane), and a few hundred meters south of the Süleymaniye Mosque.

History

The origin of the building, which lies on the slope of the third hill of Constantinople, is not certain. Judging by its masonry, it was erected between the end of the 11th and the beginning of the 12th centuries, during the reign of Alexios I Komnenos. The dedication to Hagios Theodoros[4] is also far from certain.[2] During the Latin domination of Constantinople after the Fourth Crusade the edifice was used as a Roman Catholic church.

Shortly after the Ottoman conquest of Constantinople, the church became a mosque, founded by the famous Kurdish scholar Molla Gürani, who was the tutor of Sultan Mehmed II and would become the first Mufti of Istanbul. The mosque is also named after him. In 1833 a fire ravaged the complex, destroying the wooden annexes. In 1937 the building underwent a partial restoration, and its surviving mosaics were uncovered and cleaned.

Architecture and decoration

The south dome of the exonarthex with remains of mosaics
The south dome of the exonarthex with remains of mosaics

The church proper, which has never been studied systematically,[2] has a cross-in-square (or quincunx) plan, with each side nine meters long.[5] Together with the Eski Imaret Mosque, provides an example of the Komnenian style in Constantinople. Its masonry consists of bricks, mounted adopting the technique of the recessed brick, typical of the Byzantine architecture of the middle period.[6] In this technique, alternate courses of brick are mounted behind the line of the wall, and are plunged into a mortar bed. Due to that, the thickness of the mortar layers is about three times greater than that of the brick layers.

The building has blind arcades, and the apse is interrupted by a triple lancet window with niches over it. The light penetrates into the cross arms through triple arcades. The exterior of the main church has occasional decorative motifs, such as snake patterns.

Besides the this building, the complex contains also an exonarthex to the west, a portico (which joins a parekklesion [7] with the bema) with columns and arches to the south, and finally a corridor to the north.

The exonarthex represents one of the most typical examples of Palaiologan architecture in Constantinople,[8] along with the parekklesia of the Pammakaristos, the Chora Churches, and Fethiye Mosque. The date of its edification should be placed after those of the parekklesia of the Pammakaristos and Chora Churches.[9] Its façade has two orders, both opened with arcades. On the lower order there are angular niches followed by triple arcades. The higher order is quite different from the lower, and has five semicircular blind arcades framing windows. The masonry is made of banded and colorful brickwork and stonework, especially visible on the north side. Overall, the execution is less refined than in the parekklesion of the Fethiye Mosque.[9]

The exonarthex is surmounted by three domes. The lateral ones are of umbrella type, while the central one has ribs. The internal decoration of the exonartex includes: columns, capitals and closure slabs which are all reused material from the Early Byzantine period.[2] The three domes were all covered with mosaics. Those on the south dome were cleaned in 1937 under the direction of the Ministry of Mosques,[2] but as of 2007 they have disappeared almost completely. The interior of the church proper, on the contrary, has never been de-plastered up to now.

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